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A Royal Engineer in the Low Countries

A Cavalry Surgeon at Waterloo

With the Third Guards during the Peninsular War

The First and Last Campaigns of the Great War

Supernatural and Weird Fiction of Vincent O'Sullivan

Supernatural and Weird Fiction of Algernon Blackwood

Narratives of the Anglo-Zulu War

and many others

The Collected Supernatural and Weird Fiction of J. Sheridan le Fanu: 3

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The Collected Supernatural and Weird Fiction of J. Sheridan le Fanu: 3
Leonaur Original
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Author(s): J. Sheridan le Fanu
Date Published: 2010/04
Page Count: 600
Softcover ISBN-13: 978-0-85706-150-8
Hardcover ISBN-13: 978-0-85706-149-2

The third volume of an eight book collection from 'the grandfather of the ghost story'

Whilst many highly regarded writers have created collections of strange and supernatural fiction and several other authors are now primarily known for their literary efforts within this genre, the author of this large collection surely stands alone. Not only is his body of supernatural and gothic fiction extremely substantial, he wrote ghost and horror fiction if not exclusively then certainly as the subject matter of the overwhelming majority of his considerable literary output. His authorship of novels and stories of the other worldly began from the first part of the nineteenth century making him one of the earliest specialist exponents of the genre in the 'modern' period. He is widely regarded as a master of his craft, and it is certain that once he had set out to create a thrill or chill in the minds of his reader one was sure to follow! J. Sheridan Le Fanu was without doubt the premier writer of ghostly fiction during the Victorian age and his influence on the genre can be seen in the work of his peers and those who followed after. An Irishman, in 1861 Le Fanu became the editor of the 'Dublin University Magazine' and this gave his fiction ready access to the public. 'The House by the Churchyard' and 'Wylder's Hand' were originally published in the magazine. This special Leonaur edition of Le Fanu's weird and supernatural fiction runs to 8 substantial volumes and is possibly the most comprehensive collection of his work yet assembled. It includes his highly regarded novels and a plethora of shorter works designed to provoke fear and horror among his dedicated aficionados.
The volume contains the long novel House by the Churchyard and the short story Dickon the Devil.
All volumes are available in softcover and hardcover with dust jacket for collectors. 

The twilight deepening over the landscape, the huge and solemn trees, and the distant outline of the haunted house, exercised a sombre influence on me, which, together with the fatigue of a day of travel, and the brisk walk we had had, disinclined me to interrupt the silence in which my companion now indulged.<br>
A certain air of comparative comfort, on our arrival, in great measure dissipated the gloom that was stealing over me. Although it was by no means a cold night, I was very glad to see some wood blazing in the grate; and a pair of candles aiding the light of the fire, made the room look cheerful. A small table, with a very white cloth, and preparations for supper, was also a very agreeable object.<br>
I should have liked very well, under these influences, to have listened to Tom Wyndsour’s story; but after supper I grew too sleepy to attempt to lead him to the subject; and after yawning for a time, I found there was no use in contending against my drowsiness, so I betook myself to my bedroom, and by ten o’clock was fast asleep.<br>
What interruption I experienced that night I shall tell you presently. It was not much, but it was very odd.<br>
By next night I had completed my work at Barwyke. From early morning till then I was so incessantly occupied and hard-worked, that I had not time to think over the singular occurrence to which I have just referred. Behold me, however, at length once more seated at my little supper-table, having ended a comfortable meal. It had been a sultry day, and I had thrown one of the large windows up as high as it would go. I was sitting near it, with my brandy and water at my elbow, looking out into the dark. There was no moon, and the trees that are grouped about the house make the darkness round it supernaturally profound on such nights.<br>
“Tom,” said I, so soon as the jug of hot punch I had supplied him with began to exercise its genial and communicative influence; “you must tell me who beside your wife and you and myself slept in the house last night.”<br>
Tom, sitting near the door, set down his tumbler, and looked at me askance, while you might count seven, without speaking a word.<br>
“Who else slept in the house?” he repeated, very deliberately. “Not a living soul, sir”; and he looked hard at me, still evidently expecting something more.<br>
“That is very odd,” I said returning his stare, and feeling really a little odd. “You are sure you were not in my room last night?”<br>
“Not till I came to call you, sir, this morning; I can make oath of that.”<br>
“Well,” said I, “there was someone there, I can make oath of that. I was so tired I could not make up my mind to get up; but I was waked by a sound that I thought was someone flinging down the two tin boxes in which my papers were locked up violently on the floor. I heard a slow step on the ground, and there was light in the room, although I remembered having put out my candle. I thought it must have been you, who had come in for my clothes, and upset the boxes by accident. Whoever it was, he went out and the light with him.<br>
“I was about to settle again, when, the curtain being a little open at the foot of the bed, I saw a light on the wall opposite; such as a candle from outside would cast if the door were very cautiously opening. I started up in the bed, drew the side curtain, and saw that the door was opening, and admitting light from outside. It is close, you know, to the head of the bed. A hand was holding on the edge of the door and pushing it open; not a bit like yours; a very singular hand. Let me look at yours.”<br>
He extended it for my inspection.<br>
“Oh no; there’s nothing wrong with your hand. This was differently shaped; fatter; and the middle finger was stunted, and shorter than the rest, looking as if it had once been broken, and the nail was crooked like a claw. I called out ‘Who’s there?’ and the light and the hand were withdrawn, and I saw and heard no more of my visitor.”<br>
“So sure as you’re a living man, that was him!” exclaimed Tom Wyndsour, his very nose growing pale, and his eyes almost starting out of his head.
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